Wednesday, May 29, 2019
Attitudes Towards Animals In N :: essays research papers fc
Attitudes Towards Animals in Neolithic and Assyrian TimesAnimals have been viewed differently by different cultures. This is evident when comparing the skirt painting of a deer track down from the Neolithic period (Gardner, 38) and the reliefs of Ashurbanipal hunting lions and the dying lions from the Assyrian dominated period of the ancient near east (Gardner, 56). The deer hunt scene, painted at Catal Huyuk c. 5750 BC, depicts several universe hunting two large deer and one small deer. The reliefs, sculpted at Nineveh c. 650 BC, consist of King Ashurbanipal academic session in a chariot and shooting several lions with his bow and arrow, and a close-up view of a dying lioness that has been shot three times by arrows save is still trying to move. The deer hunt scene shows that prehistoric people had more respect for animals than the Assyrian people did partly because the Neolithic people felt that antic was needed to help with their hunting. The two works also show that there was a large difference in the technology of these two cultures. In rise to power the Assyrians would sometimes hunt for sport, piece the Neolithic people would hunt nevertheless out of necessity for food.The deer hunt scene shows the animals as being stronger than humans, while the lion hunt scene shows the animals as being weak as compared to King Ashurbanipal. The two adult deer are much larger than any of the humans in the first scene. Humans are usually slightly taller than most deer, but here the deer are drawn about double as tall as the humans. It also takes several humans with weapons to hunt the deer. In the lion scene, all of the lions have been killed or injured by arrows. The only person in the scene with a bow and arrows is King Ashurbanipal. It is apparent that he has shot all of the lions himself, showing his superior strength over the lions. In prehistoric times, cave paintings of hunting scenes served magical purposes By confining them (animals) to the surface o f their cave walls, the prehistoric hunters may have believed that they were bringing the animals under their control (Gardner, 28). Also, the humans on the left of the wall painting dont seem to be directly involved in the hunt, as the deer are on the right side. It appears that they are doing some sort of dance, possibly a magical dance to help the hunters.